{"title":"TEEN SOUND RECORDS","description":null,"products":[{"product_id":"thee-sydes-s-t","title":"THEE SYDES – s\/t 7\" EP","description":"\u003cp\u003e\"I was psyched when I heard the news that my great friend Massimo was stepping back into the arena with a new band, that being Thee Sydes, four like-minded followers of everything hip and happening whom crossed paths three years back and came together. I was even more psyched upon hearing their new EP, which you have here. Four\u003cstrong\u003e sonically beautiful numbers best described as part Dylan, part Byrds, a little bit of Love and lots more in-between\u003c\/strong\u003e. Included among their infectious originals is a \u003cstrong\u003estellar take on The Tropics’ “As Time’s Gone\u003c\/strong\u003e,” where the group does their magic and makes it their own. As with Massimo’s previous group, THE OTHERS, Thee Sydes will pick up the where they left off as the undisputed \u003cstrong\u003egarage-psych rulers of the Roman Empire.\u003c\/strong\u003e I absolutely love this band and this record! Can’t wait for the album!”\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eGreg “Stackhouse” Prevost, \u003c\/strong\u003eRochester, NY 2026\u003c\/p\u003e\n\u003cp\u003e“Listening to Thee Sydes new EP released on Misty Lane Records, you’d think you were in \u003cstrong\u003ea time warp and brought back to the 1960's.\u003c\/strong\u003e These tracks sound \u003cstrong\u003eas if they could have been recorded in 1965\u003c\/strong\u003e, but they were recorded in 2025. One is also reminded how essential the human element is to sound of a great Rock n Roll band. To hell with modern AI recorded music. I’ll take these live breathing musicians and their songs any day. ‘\u003cstrong\u003eThings Left Behind’ is a standout track. Reminiscent of the best the 1980’s Paisley Underground\u003c\/strong\u003e had to offer.”\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e- Steve Crabtree\u003c\/strong\u003e, of THE THINGS\u003c\/p\u003e\n\u003cp\u003e“\u003cstrong\u003eMy head is swirling! Hi-Fi LSD. The Chocolate Watchband has melted off my wrist.\u003c\/strong\u003e What time is it? San Francisco 1966? Wow, no… Roma 2026! Sixty year time tunnel and sounds, the smells, the shapes and colors have expanded my mind. \u003cstrong\u003eTake a microdot dose of THEE SYDES. It’s a good trip!\u003c\/strong\u003e Open up your door, you’re goin’ to a Go-Go!”\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e- Paul M. Martin\u003c\/strong\u003e of THE VIPERS\u003c\/p\u003e\n\u003cp\u003e\"The walls are closing in on all SYDES....but that is just fine. They yell \"Keep It Coming\"...must be reading your mind? Sure there is a link between the 4 songs. \"Loss\" is the unifying element: loss of time...loss of things...and the hard days that shall never return. You know what they mean and \u003cstrong\u003eif we all have to fade out to oblivion well let's do it together in style...and in this case...in mono\"\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e- John Fallon \u003c\/strong\u003eof THE STEPPES and THE LAISSEZ FAIRS\u003c\/p\u003e\n\u003cp\u003e* * * * *\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"After a long silence since my latest studio effort (The A’Dam Sykles in 2009) I'm excited to be back at work on a bunch of originals and previously uncovered sixties tracks.\" - \u003c\/em\u003eMassimo del Pozzo, owner of MISTY LANE MUSIC- TEEN SOUND RECORDS\u003c\/p\u003e\n\u003cp\u003e4 track vinyl 7\" EP (Teens 101) LIMITED EDITION\/ 200 copies. Recorded at THE GARAGE, Rome Italy September 2025\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePaolo Muti: bass \u0026amp; backing vocals\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eVincenzo Palmieri: drums\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFabrizio D’Auria: Vox, GEM \u0026amp; Farfisa organs\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMassimo del Pozzo: lead vocals \u0026amp; guitars\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eExecutive production \u0026amp; artwork\u003c\/p\u003e\n\u003cp\u003eby Massimo del Pozzo.\u003c\/p\u003e\n\u003cp\u003eMixed by Vincenzo Palmieri.\u003c\/p\u003e\n\u003cp\u003eMastered by Paolo Perilli Jan 2026.\u003c\/p\u003e\n\u003cp\u003eFront cover photo by: Sara Minelli.\u003c\/p\u003e\n\u003cp\u003eRecordings produced by Thee Sydes © 2025\u003c\/p\u003e","brand":"MISTY LANE","offers":[{"title":"Default Title","offer_id":65873812390237,"sku":null,"price":12.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1112\/0309\/0781\/files\/9ec1ed_b81167e7cbf54640ba1a1d2e0a167fec_mv2_f83e7dd1-0dd1-4010-b2d8-0f2731e6160f.png?v=1789146916"},{"product_id":"the-things-some-things-else-lp-teen-sound-0100","title":"THE THINGS – “Some Things Else” LP","description":"\u003cp\u003eThis album by \u003cstrong\u003eThe Things\u003c\/strong\u003e has been sitting in the vaults for 40 years. In the late ’80s when \u003cstrong\u003eSteve Crabtree\u003c\/strong\u003e's band had run out of opportunities to work in Los Angeles in an increasingly asphyxiated scene and now quickly interested in other sounds and styles, \u003cstrong\u003eThe Things still had a lot to say\u003c\/strong\u003e. \u003cbr\u003eThe songs that make up this album were later remixed and mastered by Crabtree but have never been released in any form on the record market. \u003cbr\u003eThe days of the “Outside My Window” sessions are not far away, in fact much of the material that makes up\u003cstrong\u003e this collection was written and recorded shortly after the release of their second album, in 1986. \u003c\/strong\u003e\u003cbr\u003eIn recent years, while we were working on reissues of the two Things LPs I asked Steve if there was any unreleased material and to my great surprise he sent me not just a few tracks but an entire LP. One listen was enough for me to realize that this album had to see the light of day. \u003cbr\u003eI'm very happy to have been involved “on the front lines” in the work of \u003cstrong\u003erecovering the entire Things catalogue and to have been able to play live with Steve in Italy over the last two years\u003c\/strong\u003e. Steve is a free and democratic spirit, a romantic with clear ideas about what the United States has become, respectful and generous both as a human being and as a musician. \u003cbr\u003eTalking about music or playing with him means for those who have always loved the Folk Psych sounds of the Sixties, discovering a brother you didn't know you had. \u003cbr\u003eI don't know what the future holds, but in the meantime we intend to \u003cstrong\u003eenjoy the release of this “lost album” finally rediscovered.  \u003c\/strong\u003e\u003cstrong\u003eWe're sure fans of the Paisley Underground scene and beyond will enjoy it. \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-family: var(--wix-font-stack,'HelveticaNeueW01-55Roma','HelveticaNeueW02-55Roma','HelveticaNeueW10-55Roma',sans-serif);\"\u003eThe album opens with \"Can't Tell The Difference\", a Popsike masterpiece, a dreamy'n'd catchy Harmony-Pop tune that sounds like an outtake from the mid-to-late Sixties-era we call Popsike, but with a 80's bittersweet twist. Next comes \u003c\/span\u003e\u003cspan style=\"font-family: var(--wix-font-stack,'HelveticaNeueW01-55Roma','HelveticaNeueW02-55Roma','HelveticaNeueW10-55Roma',sans-serif);\"\u003e“Lie to You”, led by a very Neil Young-esque acid guitar, one of Steve's undisguised passions, but probably little expressed on the first two Things albums. \u003c\/span\u003e\u003cbr\u003eThis is followed by “The Next Time”, a gorgeous Popsike song with references to the Zombies, in a fusion of English Pop and West Coast. \u003cbr\u003e“No replacement”: fast, pop, it takes up the sonic path of the Paisley Underground undertaken in the first album ‘Coloured Heaven’. Vocal harmonies not far from the soundscapes of the Associations, you play at resorting between a lightning harmonica and the electricity of the guitars and the piano. \u003cbr\u003e“Second Best” takes us into territory dear to Crabtree, the Beatles of Revolver, and immerses us in a crossover between Freakbeat echoes and US-made 60s Pop. \u003cbr\u003e“In The Morning” presents itself as a gentle, dreamy ballad, enriched with psychedelic colors that draws the typical boundaries of Crabtree's song, suspended between moodiness and an acidic Folk Rock that gradually builds, bringing the song to completion. The recordings of 'Outside My window' are not far away, you can hear, the feel is that. \u003cbr\u003e“Take The Night” is quintessential Beatlesian, filtered through the eyes of an '80s Folk Rock-Pop band. \u003cbr\u003e“You can Listen” insists on psychedelic 'Revolvers', especially the backing vocals and Roy McDonald’s drumming. \u003cbr\u003eAnd here's what I think is the album's real hit: “A Minor Song”, perfect in its fusion of pop tension, vocal harmonies and catchy yet melancholic overtones, just enough. The guitars weave arpeggios that hark back as much to obscure mid-Sixties bands like Painted Faces as to the best melodic Powerpop of the 70s. \u003cbr\u003eIn “What's It like To Fly” you can once again feel the influence of the artist of the heart, Neil Young: the distorted Gibson harks back to the 70s sound while the vocal harmonies recall the more choral works of Buffalo Springfield. Crabtree's writing manages to enrich the song even more, elevating it towards the best Harmony-Pop of the golden era ’65-’75. \u003cbr\u003e“For No Real Reason” appears to be coming straight out of the ‘Outside My Window’ sessions. An echo-laden introductory flute à la “Between The Buttons”-era introduces one of the album's rarest and most dramatic atmospheres; the pathos and effects are as dreamlike as they are palpable. A short track, which perhaps could have given more as a single or on an extended play. \u003cbr\u003eThe introductory piano of “The Void” still owes something to the ‘Stones of a poetic ’67 Jagger, but the interplay between the guitars and the rhythmic progression is more progressive. The song serves as a link to the next track: ”I Don't Remember (Loving You)”, an unexpected but engaging country song as per tradition on many albums by Sixties (including Garage) bands, in all respects the most carefree moment of the album , full of guitar licks that underline the technical prowess of both Things guitarists: Steve Crabtree and Larry Klein. \u003cbr\u003eAfter playing around a bit’, the music gets back to ”serious”, with the album's brilliant and final track, “Crystal Blue”, a mid-tempo that perfectly balances the two strongest influences of the Things: the Folk-Psych of the Sixties\/the Beatles echoes and the more rock component ’70s a-la Crazy Horse. \u003cbr\u003eThe final reverse solo is splendid, as if to close the circle that began in 1984 with “Coloured Heaven”, the debut album by Things. \u003cbr\u003eSteve Crabtree, immediately after the \"official\" third album of Things, released on Epitaph, would disband the band, continuing to record alone, and play live with many lineups to move further, from Los Angeles to Seattle. \u003cbr\u003eAs a solo artist, his style will continue the spirit and sonic taste linked to the Things years, enriching it in a more mature and singer-songwriter formula. \u003cbr\u003eIf you're in the Seattle area, don't miss the chance to go and hear him live in his personal Coloured Heaven, full of dreamy guitars and harmonies, the very thing that best represented the Paisley Underground movement. \u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eMassimo del Pozzo \u003c\/strong\u003e\u003cbr\u003e\u003cem\u003eRoma 2 Marzo 2026 \u003c\/em\u003e\u003c\/p\u003e","brand":"MISTY LANE","offers":[{"title":"Default Title","offer_id":65873812423005,"sku":null,"price":25.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1112\/0309\/0781\/files\/9ec1ed_d3681e3843974e7bac582c45e238ea30_mv2_bfec5ebd-64bd-48a1-98c2-46777964c9bf.png?v=1789146917"},{"product_id":"mal-thursday-quintet-mods-gods","title":"MAL THURSDAY QUINTET – “Mods \u0026 Gods” LP","description":"\u003cp\u003e2026's first TEEN SOUND Records exciting release:\u003cstrong\u003e the second album of Mal Thursday Quintet \"Mods \u0026amp; Gods\". 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NEW \/ UNPLAYED\u003c\/p\u003e\u003cp\u003eAltre immagini\u003c\/p\u003e\u003ctable\u003e\t\u003ctbody\u003e\t\t\u003ctr\u003e\t\t\t\u003cth\u003e\t\t\t\u003cp\u003eEtichetta:\u003c\/p\u003e\t\t\t\u003c\/th\u003e\t\t\t\u003ctd\u003eMisty Lane Records – Misty 018, Misty Lane Records – Misty 017\u003c\/td\u003e\t\t\u003c\/tr\u003e\t\t\u003ctr\u003e\t\t\t\u003cth\u003e\t\t\t\u003cp\u003eFormato:\u003c\/p\u003e\t\t\t\u003c\/th\u003e\t\t\t\u003ctd\u003e\t\t\t\u003cp\u003eVinile, LP, Compilation, Mono\u003c\/p\u003e\t\t\t\u003cp\u003eVinile, 7\", 45 RPM, EP, Mono\u003c\/p\u003e\t\t\t\u003c\/td\u003e\t\t\u003c\/tr\u003e\t\t\u003ctr\u003e\t\t\t\u003cth\u003e\t\t\t\u003cp\u003ePaese:\u003c\/p\u003e\t\t\t\u003c\/th\u003e\t\t\t\u003ctd\u003eItaly\u003c\/td\u003e\t\t\u003c\/tr\u003e\t\t\u003ctr\u003e\t\t\t\u003cth\u003e\t\t\t\u003cp\u003eUscita:\u003c\/p\u003e\t\t\t\u003c\/th\u003e\t\t\t\u003ctd\u003e1994\u003c\/td\u003e\t\t\u003c\/tr\u003e\t\t\u003ctr\u003e\t\t\t\u003cth\u003e\t\t\t\u003cp\u003eGenere:\u003c\/p\u003e\t\t\t\u003c\/th\u003e\t\t\t\u003ctd\u003eRock, Pop\u003c\/td\u003e\t\t\u003c\/tr\u003e\t\t\u003ctr\u003e\t\t\t\u003cth\u003e\t\t\t\u003cp\u003eStile:\u003c\/p\u003e\t\t\t\u003c\/th\u003e\t\t\t\u003ctd\u003eGarage Rock\u003c\/td\u003e\t\t\u003c\/tr\u003e\t\u003c\/tbody\u003e\n\u003c\/table\u003e\u003cp\u003e \u003c\/p\u003e\u003ctable\u003e\t\u003ctbody\u003e\t\t\u003ctr\u003e\t\t\t\u003ctd\u003eA1\u003c\/td\u003e\t\t\t\u003ctd\u003eLivingstones*–\u003c\/td\u003e\t\t\t\u003ctd\u003eP-1800\u003c\/td\u003e\t\t\t\u003ctd\u003e2:41\u003c\/td\u003e\t\t\u003c\/tr\u003e\t\t\u003ctr\u003e\t\t\t\u003ctd\u003eA2\u003c\/td\u003e\t\t\t\u003ctd\u003eLivingstones*–\u003c\/td\u003e\t\t\t\u003ctd\u003eFun In The Sun\u003c\/td\u003e\t\t\t\u003ctd\u003e2:30\u003c\/td\u003e\t\t\u003c\/tr\u003e\t\t\u003ctr\u003e\t\t\t\u003ctd\u003eA3\u003c\/td\u003e\t\t\t\u003ctd\u003eLivingstones*–\u003c\/td\u003e\t\t\t\u003ctd\u003eYour Body Not Your Soul\u003c\/td\u003e\t\t\t\u003ctd\u003e1:40\u003c\/td\u003e\t\t\u003c\/tr\u003e\t\t\u003ctr\u003e\t\t\t\u003ctd\u003eA4\u003c\/td\u003e\t\t\t\u003ctd\u003eBlindshag–\u003c\/td\u003e\t\t\t\u003ctd\u003eYeah Yeah Yeah\u003c\/td\u003e\t\t\t\u003ctd\u003e3:00\u003c\/td\u003e\t\t\u003c\/tr\u003e\t\t\u003ctr\u003e\t\t\t\u003ctd\u003eA5\u003c\/td\u003e\t\t\t\u003ctd\u003eBlindshag–\u003c\/td\u003e\t\t\t\u003ctd\u003eSpread Your Legs\u003c\/td\u003e\t\t\t\u003ctd\u003e2:25\u003c\/td\u003e\t\t\u003c\/tr\u003e\t\t\u003ctr\u003e\t\t\t\u003ctd\u003eA6\u003c\/td\u003e\t\t\t\u003ctd\u003eMongrels (2)–\u003c\/td\u003e\t\t\t\u003ctd\u003eGone \u0026amp; Left Me\u003c\/td\u003e\t\t\t\u003ctd\u003e2:34\u003c\/td\u003e\t\t\u003c\/tr\u003e\t\t\u003ctr\u003e\t\t\t\u003ctd\u003eA7\u003c\/td\u003e\t\t\t\u003ctd\u003eMongrels (2)–\u003c\/td\u003e\t\t\t\u003ctd\u003eToo Much\u003c\/td\u003e\t\t\t\u003ctd\u003e2:36\u003c\/td\u003e\t\t\u003c\/tr\u003e\t\t\u003ctr\u003e\t\t\t\u003ctd\u003eA8\u003c\/td\u003e\t\t\t\u003ctd\u003eThe Stomach Mouths–\u003c\/td\u003e\t\t\t\u003ctd\u003eUgly Me\u003c\/td\u003e\t\t\t\u003ctd\u003e2:25\u003c\/td\u003e\t\t\u003c\/tr\u003e\t\t\u003ctr\u003e\t\t\t\u003ctd\u003eB1\u003c\/td\u003e\t\t\t\u003ctd\u003eThe Stomach Mouths–\u003c\/td\u003e\t\t\t\u003ctd\u003eGirl Now! 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Stone*\u003c\/p\u003e\t\t\t\u003c\/td\u003e\t\t\t\u003ctd\u003e2:35\u003c\/td\u003e\t\t\u003c\/tr\u003e\t\t\u003ctr\u003e\t\t\t\u003ctd\u003eA3\u003c\/td\u003e\t\t\t\u003ctd\u003eLive And Die\t\t\t\u003cp\u003eWritten-By – J. Nitzinger*\u003c\/p\u003e\t\t\t\u003c\/td\u003e\t\t\t\u003ctd\u003e2:32\u003c\/td\u003e\t\t\u003c\/tr\u003e\t\t\u003ctr\u003e\t\t\t\u003ctd\u003eA4\u003c\/td\u003e\t\t\t\u003ctd\u003eHow Can I\t\t\t\u003cp\u003eLead Vocals – Fabrizio*Written-By – R. 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Ringholz*, J. Zach*, N. 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Alone\u003c\/td\u003e\t\t\t\u003ctd\u003e2:25\u003c\/td\u003e\t\t\u003c\/tr\u003e\t\t\u003ctr\u003e\t\t\t\u003ctd\u003eB4\u003c\/td\u003e\t\t\t\u003ctd\u003eWhat More Can I Do?\u003c\/td\u003e\t\t\t\u003ctd\u003e2:33\u003c\/td\u003e\t\t\u003c\/tr\u003e\t\t\u003ctr\u003e\t\t\t\u003ctd\u003eB5\u003c\/td\u003e\t\t\t\u003ctd\u003eGoodbye Sunshine\u003c\/td\u003e\t\t\t\u003ctd\u003e2:55\u003c\/td\u003e\t\t\u003c\/tr\u003e\t\t\u003ctr\u003e\t\t\t\u003ctd\u003eB6\u003c\/td\u003e\t\t\t\u003ctd\u003eBroken Heart\u003c\/td\u003e\t\t\t\u003ctd\u003e3:43\u003c\/td\u003e\t\t\u003c\/tr\u003e\t\t\u003ctr\u003e\t\t\t\u003ctd\u003eB7\u003c\/td\u003e\t\t\t\u003ctd\u003eI Need Love\u003c\/td\u003e\t\t\t\u003ctd\u003e2:27\u003c\/td\u003e\t\t\u003c\/tr\u003e\t\u003c\/tbody\u003e\n\u003c\/table\u003e","brand":"MISTY LANE","offers":[{"title":"Default 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Woods*\u003c\/p\u003e\t\t\t\u003c\/td\u003e\t\t\t\u003ctd\u003e3:34\u003c\/td\u003e\t\t\u003c\/tr\u003e\t\t\u003ctr\u003e\t\t\t\u003ctd\u003eA4\u003c\/td\u003e\t\t\t\u003ctd\u003eYou're Lookin' Fine\t\t\t\u003cp\u003eBass – Craig MooreWritten-By – Ray Davies\u003c\/p\u003e\t\t\t\u003c\/td\u003e\t\t\t\u003ctd\u003e3:57\u003c\/td\u003e\t\t\u003c\/tr\u003e\t\t\u003ctr\u003e\t\t\t\u003ctd\u003eA5\u003c\/td\u003e\t\t\t\u003ctd\u003eDon't Need Your Lovin'\t\t\t\u003cp\u003eArranged By – Dave Aguilar*Written-By – Arnold*\u003c\/p\u003e\t\t\t\u003c\/td\u003e\t\t\t\u003ctd\u003e3:29\u003c\/td\u003e\t\t\u003c\/tr\u003e\t\t\u003ctr\u003e\t\t\t\u003ctd\u003eA6\u003c\/td\u003e\t\t\t\u003ctd\u003eBad Little Woman\t\t\t\u003cp\u003eWritten-By – Rosbotham*, Armstrong*, Demick*, Tinsley*, Catling*\u003c\/p\u003e\t\t\t\u003c\/td\u003e\t\t\t\u003ctd\u003e2:50\u003c\/td\u003e\t\t\u003c\/tr\u003e\t\t\u003ctr\u003e\t\t\t\u003ctd\u003eA7\u003c\/td\u003e\t\t\t\u003ctd\u003eBlackout Of Gretely\t\t\t\u003cp\u003eWritten-By – Craig Moore, Rex Garrett\u003c\/p\u003e\t\t\t\u003c\/td\u003e\t\t\t\u003ctd\u003e4:23\u003c\/td\u003e\t\t\u003c\/tr\u003e\t\t\u003ctr\u003e\t\t\t\u003ctd\u003e \u003c\/td\u003e\t\t\t\u003ctd\u003eRude Side\u003c\/td\u003e\t\t\u003c\/tr\u003e\t\t\u003ctr\u003e\t\t\t\u003ctd\u003eB1\u003c\/td\u003e\t\t\t\u003ctd\u003ePenis Between Us\t\t\t\u003cp\u003eWritten-By – Rudi Protrudi\u003c\/p\u003e\t\t\t\u003c\/td\u003e\t\t\t\u003ctd\u003e2:00\u003c\/td\u003e\t\t\u003c\/tr\u003e\t\t\u003ctr\u003e\t\t\t\u003ctd\u003eB2\u003c\/td\u003e\t\t\t\u003ctd\u003eHow Many Times\u003c\/td\u003e\t\t\t\u003ctd\u003e1:57\u003c\/td\u003e\t\t\u003c\/tr\u003e\t\t\u003ctr\u003e\t\t\t\u003ctd\u003eB3\u003c\/td\u003e\t\t\t\u003ctd\u003eBad Woman\t\t\t\u003cp\u003eWritten-By – Dave Stevenson (2)\u003c\/p\u003e\t\t\t\u003c\/td\u003e\t\t\t\u003ctd\u003e1:52\u003c\/td\u003e\t\t\u003c\/tr\u003e\t\t\u003ctr\u003e\t\t\t\u003ctd\u003eB4\u003c\/td\u003e\t\t\t\u003ctd\u003eNo Reason To Complain\t\t\t\u003cp\u003eWritten-By – Mike Pierce (4)\u003c\/p\u003e\t\t\t\u003c\/td\u003e\t\t\t\u003ctd\u003e2:07\u003c\/td\u003e\t\t\u003c\/tr\u003e\t\t\u003ctr\u003e\t\t\t\u003ctd\u003eB5\u003c\/td\u003e\t\t\t\u003ctd\u003eStop It Baby\t\t\t\u003cp\u003eWritten-By – Brad Wheat, Jeff Wheat\u003c\/p\u003e\t\t\t\u003c\/td\u003e\t\t\t\u003ctd\u003e2:38\u003c\/td\u003e\t\t\u003c\/tr\u003e\t\t\u003ctr\u003e\t\t\t\u003ctd\u003eB6\u003c\/td\u003e\t\t\t\u003ctd\u003eSanta Claus\t\t\t\u003cp\u003eWritten-By – J. 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(7)\u003c\/td\u003e\t\t\t\u003ctd\u003eStraight Shooter\t\t\t\u003cp\u003eWritten-By – Alexandre Hussenet\u003c\/p\u003e\t\t\t\u003c\/td\u003e\t\t\t\u003ctd\u003e2:46\u003c\/td\u003e\t\t\u003c\/tr\u003e\t\t\u003ctr\u003e\t\t\t\u003ctd\u003eA3\u003c\/td\u003e\t\t\t\u003ctd\u003e–Hipsters*\u003c\/td\u003e\t\t\t\u003ctd\u003eTime To Time\t\t\t\u003cp\u003eWritten-By – S. Griffin*\u003c\/p\u003e\t\t\t\u003c\/td\u003e\t\t\t\u003ctd\u003e3:11\u003c\/td\u003e\t\t\u003c\/tr\u003e\t\t\u003ctr\u003e\t\t\t\u003ctd\u003eA4\u003c\/td\u003e\t\t\t\u003ctd\u003e–Frantic V*\u003c\/td\u003e\t\t\t\u003ctd\u003eFeeling Sad\t\t\t\u003cp\u003eWritten-By – Frantic V*\u003c\/p\u003e\t\t\t\u003c\/td\u003e\t\t\t\u003ctd\u003e2:19\u003c\/td\u003e\t\t\u003c\/tr\u003e\t\t\u003ctr\u003e\t\t\t\u003ctd\u003eA5\u003c\/td\u003e\t\t\t\u003ctd\u003e–Les Incapables\u003c\/td\u003e\t\t\t\u003ctd\u003eVivre Avec Toi\t\t\t\u003cp\u003eWritten-By – Bribosia*, Buisson*\u003c\/p\u003e\t\t\t\u003c\/td\u003e\t\t\t\u003ctd\u003e2:06\u003c\/td\u003e\t\t\u003c\/tr\u003e\t\t\u003ctr\u003e\t\t\t\u003ctd\u003eA6\u003c\/td\u003e\t\t\t\u003ctd\u003e–Maggots*\u003c\/td\u003e\t\t\t\u003ctd\u003eGoodbye Sunshine\t\t\t\u003cp\u003eWritten-By – J. Lindberg*\u003c\/p\u003e\t\t\t\u003c\/td\u003e\t\t\t\u003ctd\u003e2:27\u003c\/td\u003e\t\t\u003c\/tr\u003e\t\t\u003ctr\u003e\t\t\t\u003ctd\u003eA7\u003c\/td\u003e\t\t\t\u003ctd\u003e–Fase 4*\u003c\/td\u003e\t\t\t\u003ctd\u003eI Try\t\t\t\u003cp\u003eWritten-By – Fase 4*, F. Chini*\u003c\/p\u003e\t\t\t\u003c\/td\u003e\t\t\t\u003ctd\u003e3:32\u003c\/td\u003e\t\t\u003c\/tr\u003e\t\t\u003ctr\u003e\t\t\t\u003ctd\u003eA8\u003c\/td\u003e\t\t\t\u003ctd\u003e–Cardinals*\u003c\/td\u003e\t\t\t\u003ctd\u003e(Girl) I Know That I Can\t\t\t\u003cp\u003eWritten-By – Cardinals*\u003c\/p\u003e\t\t\t\u003c\/td\u003e\t\t\t\u003ctd\u003e3:01\u003c\/td\u003e\t\t\u003c\/tr\u003e\t\t\u003ctr\u003e\t\t\t\u003ctd\u003eA9\u003c\/td\u003e\t\t\t\u003ctd\u003e–Tony Borlotti E I Suoi Flauers\u003c\/td\u003e\t\t\t\u003ctd\u003eNon Vivo Per Te\t\t\t\u003cp\u003eWritten-By – Tony Borlotti, Flauers*\u003c\/p\u003e\t\t\t\u003c\/td\u003e\t\t\t\u003ctd\u003e3:25\u003c\/td\u003e\t\t\u003c\/tr\u003e\t\t\u003ctr\u003e\t\t\t\u003ctd\u003eB1\u003c\/td\u003e\t\t\t\u003ctd\u003e–Mystery Action\u003c\/td\u003e\t\t\t\u003ctd\u003eBird Rockers\t\t\t\u003cp\u003eWritten-By – M. Action*\u003c\/p\u003e\t\t\t\u003c\/td\u003e\t\t\t\u003ctd\u003e3:14\u003c\/td\u003e\t\t\u003c\/tr\u003e\t\t\u003ctr\u003e\t\t\t\u003ctd\u003eB2\u003c\/td\u003e\t\t\t\u003ctd\u003e–Satelliters*\u003c\/td\u003e\t\t\t\u003ctd\u003eDon't Go Back\t\t\t\u003cp\u003eWritten By – Boehm, Widera\u003c\/p\u003e\t\t\t\u003c\/td\u003e\t\t\t\u003ctd\u003e2:07\u003c\/td\u003e\t\t\u003c\/tr\u003e\t\t\u003ctr\u003e\t\t\t\u003ctd\u003eB3\u003c\/td\u003e\t\t\t\u003ctd\u003e–Rookies*\u003c\/td\u003e\t\t\t\u003ctd\u003eI'm The Kind\u003c\/td\u003e\t\t\t\u003ctd\u003e2:14\u003c\/td\u003e\t\t\u003c\/tr\u003e\t\t\u003ctr\u003e\t\t\t\u003ctd\u003eB4\u003c\/td\u003e\t\t\t\u003ctd\u003e–Girl Bombs*\u003c\/td\u003e\t\t\t\u003ctd\u003eBeen And Gone\t\t\t\u003cp\u003eWritten-By – E. 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